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Splice Archive
My Sensei lays low as his comments against Paul Dano resurface at Sundance.
Notes on some positive developments.
Jason Statham's latest is a slog compared to 2024's The Beekeeper.
Looking through The Large Glass.
A 2018 Self-Titled Mag interview with musician Luke Jenner vs. a 2022 Vulture interview with music producer Chad Hugo.
Mamoru Hosoda’s action-packed medieval epic is a thoughtful reinterpretation of Shakespeare’s Hamlet.
I haven’t tumbled on the black ice… yet.
The Testament of Ann Lee is as real and vibrant as The Brutalist was empty and pre-fab.
From the William Ulmer Mansion to Burger City.
There’s no right and left now, only right and wrong.
Hate doesn’t make you better than anyone else.
There’s no vegetable embargo.
If you don’t get it, you get it.
Kiss the left jackboot or the right?
Paul Greengrass’ new disaster thriller is more interested in terror than spectacle.
Human nature seen through the lens of online chess.
Fat-free is out, beef and cheese are in.
Locked-in and locked-out.
Schizopolis is joyfully nonsensical masturbation.
I mean, for Christ’s sake.
Finding gifts in final moments.
The director and star of I Want Your Sex talk about Generation Z and new expectations regarding sex in movies.
A compilation of the director's appearances through the years on Letterman's NBC and CBS talk shows.
The actor talks about the hermetic and anti-exhibition policies of the giant streamer.
The singer talks disillusionment, integrity, and his uneasy relationship with the music industry just as his band was splitting up.
The band play three songs earlier this month at Hey Sailor in Seaport, Maine.
The second side of 1971's Jack Johnson, with an unforgettable bassline by Michael Henderson.
The late singer performs with a full band at The Stone Pony in New Jersey in this recording from May 16, 2019.
The director of Exotica talks about Ingmar Bergman, Michael Haneke, Pier Paolo Pasolini, and more.
The magician explains why Dylan is misunderstood by so many people.
A very early performance by the band at the famous New York City no wave club on March 13, 1976.